Af Ursin Belgium
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We drink to forget the coming storm
by Leyland Kirby
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A beautiful album, and one of Kirby’s most undervalued works.
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Rhapsodia / Battements solaires
by Michèle Bokanowski
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Intoxicating, looped orchestrations from within the synthetic pulse.
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supported by 12 fans who also own “De Overkant”
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The Berlin-based saxophonist's debut stands tall as a monument to queer vulnerability and resilience, grounded in brash ambient tones.
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Estonian experimental recorder Man Rei creates witchy, whispery compositions built out of urban field recordings & meditative vocal samples.
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Melancholic pastoral instrumentals made from cello, piano, and acoustic guitar, interwoven with field recordings for a spooky undertone.
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Everywhere at the end of time
by The Caretaker
supported by 11 fans who also own “De Overkant”
Actually astounding and emotionally moving, creating a community that I have been proudly a part of for 2 years
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